пятница, 3 апреля 2015 г.

Reading Contemporary British Literature
YEAR 2014-2015
Group 301

GRACE NOTES
By Bernard MacLaverty


Task 1
Step 3, pp. 56 – 83

How would the character answer the following question? How does it characterize her? Write the answer as if you were the character herself.

(p.59) - What was the point? What was the point in going on if every waking was to be this plunge into panic? ......


OUR FINAL DISCUSSION
Our Literature and Linguistic afternoon session "My favourite "Grace Notes" Metaphor"


As an Introduction.....
Why did I decide on this Project for our final discussion?
While reading the book our eye can't but be caught by an abundance of metaphors B.Maclaverty employs in his novel, metaphors which keep his ideas"under disguise" and make the reader think over the character and the situations - WHY does the author say it like this?.. WHAT does he want to say?.. why does he make us think about THIS?.. and in THIS very way?..
Some metaphorical images are quite clear, others make us think longer, some - in our case - demanded general discussions to share ideas which only then helped come to certain conclusions.
But that was an enjoyable metaphor-untangling experience!!!!

TASK SETTING
Every student is to choose a metaphor he/she likes most of all and introduce it to the class and explain it in the most understandable way. Imagine that you are a linguistic professor reading a lecture on metaphors. How would you make your students involved, how would you make them understand what Metaphor is, how it functions, what it implies in this very context and why?!!!!!

Brief report:
https://www.facebook.com/facultyforeignlanguages/posts/829112900475523

One of the students' Presentations - by Marina Ulyanitskaya and Julia Stetsenko.








среда, 18 сентября 2013 г.


Reading Contemporary British Literature
YEAR 2013-2014
Group 301

GRACE NOTES
By Bernard MacLaverty






Part 1  pp.3-28 (up to “She woke…”)
Evaluation. Summing up our today's discussion in class.
Were you interested in the events described? What attracted your attention - about the characters/ the situation, the atmosphere?, etc

Part 2  pp.28-56 (up to “The crunch of feet…”)
Evaluation. Which of Catherine’s childhood memories impressed you most of all? Why?


Part 3, pp. 56-83
(up to “The next day was cloudy and overcast…”)
Evaluation. What image of the Ukraine, a part of the former USSR, is created in the story? Why? What is its importance?


Part 4, pp. 83-114
(up to “If her mother wanted…”)
Evaluation. Comment on Miss Bingham’s statement: You are not the only one. I am where you have been.” What does she imply? Do you agree with it?



Part 5, pp. 114-138

Evaluation. In this Part the author introduces the words “grace notes”, what is the idea implied?

Part 6, pp. 141-173
(up to “Catherine was the only one…)
Evaluation. What is the role of the childhood memory of Granny Boyd? What do you find interesting and peculiar about it?
Make a list of the author’s statements which you liked, comment why.


Part 7, pp. 173-203
Evaluation.
- Cross-cultural issues: universal and unique. Try to find in the text examples of the way the writer depicts reality: things common to the Russian and English cultures (what we do, how we do smth) and the way they are expressed; and things unique for the English culture.
- Make a list of expressions which caught your eye and which you liked.


Part 8, pp. 203 - 231
Evaluation.
- Cross-cultural issues: universal and unique. Try to find in the text examples of the way the writer depicts reality: things common to the Russian and English cultures (what we do, how we do smth) and the way they are expressed; and things unique for the English culture.
- Make a list of expressions which caught your eye and which you liked.

четверг, 4 ноября 2010 г.


CLASS 1 

An Ideal Family
That evening for the first time in his life, as he pressed through the swing door and descended the three broad steps to the pavement, old Mr. Neave felt he was too old for the spring. Spring - warm, eager, restless - was there, waiting for him in the golden light, ready in front of everybody to run up, to blow in his white beard, to drag sweetly on his arm. And he couldn't meet her, no; he couldn't square up once more and stride off, jaunty as a young man. He was tired and, although the late sun was still shining, curiously cold, with a numbed feeling all over. Quite suddenly he hadn't the energy, he hadn't the heart to stand this gaiety and bright movement any longer; it confused him. He wanted to stand still, to wave it away with his stick, to say, "Be off with you!" Suddenly it was a terrible effort to greet as usual - tipping his wide-awake with his stick - all the people whom he knew, the friends, acquaintances, shopkeepers, postmen, drivers. But the gay glance that went with the gesture, the kindly twinkle that seemed to say, "I'm a match and more for any of you" - that old Mr. Neave could not manage at all. He stumped along, lifting his knees high as if he were walking through air that had somehow grown heavy and solid like water. And the homeward-looking crowd hurried by, the trams clanked, the light carts clattered, the big swinging cabs bowled along with that reckless, defiant indifference that one knows only in dreams...
It had been a day like other days at the office. Nothing special had happened. Harold hadn't come back from lunch until close on four. Where had he been? What had he been up to? He wasn't going to let his father know. Old Mr. Neave had happened to be in the vestibule, saying good-bye to a caller, when Harold sauntered in, perfectly turned out as usual, cool, suave, smiling that peculiar little half-smile that women found so fascinating.
Ah, Harold was too handsome, too handsome by far; that had been the trouble all along. No man had a right to such eyes, such lashes, and such lips; it was uncanny. As for his mother, his sisters, and the servants, it was not too much to say they made a young god of him; they worshipped Harold, they forgave him everything; and he had needed some forgiving ever since the time when he was thirteen and he had stolen his mother's purse, taken the money, and hidden the purse in the cook's bedroom. Old Mr. Neave struck sharply with his stick upon the pavement edge. But it wasn't only his family who spoiled Harold, he reflected, it was everybody; he had only to look and to smile, and down they went before him. So perhaps it wasn't to be wondered at that he expected the office to carry on the tradition. H'm, h'm! But it couldn't be done. No business - not even a successful, established, big paying concern - could be played with. A man had either to put his whole heart and soul into it, or it went all to pieces before his eyes ...
And then Charlotte and the girls were always at him to make the whole thing over to Harold, to retire, and to spend his time enjoying himself. Enjoying himself! Old Mr. Neave stopped dead under a group of ancient cabbage palms outside the Government buildings! Enjoying himself! The wind of evening shook the dark leaves to a thin airy cackle. Sitting at home, twiddling his thumbs, conscious all the while that his life's work was slipping away, dissolving, disappearing through Harold's fine fingers, while Harold smiled ...
"Why will you be so unreasonable, father? There's absolutely no need for you to go to the office. It only makes it very awkward for us when people persist in saying how tired you're looking. Here's this huge house and garden. Surely you could be happy in - in - appreciating it for a change. Or you could take up some hobby."
And Lola the baby had chimed in loftily, "All men ought to have hobbies. It makes life impossible if they haven't."
Well, well! He couldn't help a grim smile as painfully he began to climb the hill that led into Harcourt Avenue. Where would Lola and her sisters and Charlotte be if he'd gone in for hobbies, he'd like to know? Hobbies couldn't pay for the town house and the seaside bungalow, and their horses, and their golf, and the sixty-guinea gramophone in the music-room for them to dance to. Not that he grudged them these things. No, they were smart, good-looking girls, and Charlotte was a remarkable woman; it was natural for them to be in the swim. As a matter of fact, no other house in the town was as popular as theirs; no other family entertained so much. And how many times old Mr. Neave, pushing the cigar box across the smoking-room table, had listened to praises of his wife, his girls, of himself even.
"You're an ideal family, sir, an ideal family. It's like something one reads about or sees on the stage."
"That's all right, my boy," old Mr. Neave would reply. "Try one of those; I think you'll like them. And if you care to smoke in the garden, you'll find the girls on the lawn, I dare say."
That was why the girls had never married, so people said. They could have married anybody. But they had too good a time at home. They were too happy together, the girls and Charlotte. H'm, h'm! Well, well. Perhaps so ...
By this time he had walked the length of fashionable Harcourt Avenue; he had reached the corner house, their house. The carriage gates were pushed back; there were fresh marks of wheels on the drive. And then he faced the big white-painted house, with its wide-open windows, its tulle curtains floating outwards, its blue jars of hyacinths on the broad sills. On either side of the carriage porch their hydrangeas - famous in the town - were coming into flower; the pinkish, bluish masses of flower lay like light among the spreading leaves. And somehow, it seemed to old Mr. Neave that the house and the flowers, and even the fresh marks on the drive, were saying, "There is young life here. There are girls--"
The hall, as always, was dusky with wraps, parasols, gloves, piled on the oak chests. From the music-room sounded the piano, quick, loud and impatient. Through the drawing-room door that was ajar voices floated.
"And were there ices?" came from Charlotte. Then the creak, creak of her rocker.
"Ices!" cried Ethel. "My dear mother, you never saw such ices. Only two kinds. And one a common little strawberry shop ice, in a sopping wet frill."
"The food altogether was too appalling," came from Marion.
"Still, it's rather early for ices," said Charlotte easily.
"But why, if one has them at all ... " began Ethel.
"Oh, quite so, darling," crooned Charlotte.
Suddenly the music-room door opened and Lola dashed out. She started, she nearly screamed, at the sight of old Mr. Neave.
"Gracious, father! What a fright you gave me! Have you just come home? Why isn't Charles here to help you off with your coat?"
Her cheeks were crimson from playing, her eyes glittered, the hair fell over her forehead. And she breathed as though she had come running through the dark and was frightened. Old Mr. Neave stared at his youngest daughter; he felt he had never seen her before. So that was Lola, was it? But she seemed to have forgotten her father; it was not for him that she was waiting there. Now she put the tip of her crumpled handkerchief between her teeth and tugged at it angrily. The telephone rang. A-ah! Lola gave a cry like a sob and dashed past him. The door of the telephone-room slammed, and at the same moment Charlotte called, "Is that you, father?"
"You're tired again," said Charlotte reproachfully, and she stopped the rocker and offered her warm plum-like cheek. Bright-haired Ethel pecked his beard, Marion's lips brushed his ear.
"Did you walk back, father?" asked Charlotte.
"Yes, I walked home," said old Mr. Neave, and he sank into one of the immense drawing-room chairs.
"But why didn't you take a cab?" said Ethel. "There are hundred of cabs about at that time."
"My dear Ethel," cried Marion, "if father prefers to tire himself out, I really don't see what business of ours it is to interfere."
"Children, children?" coaxed Charlotte.
But Marion wouldn't be stopped. "No, mother, you spoil father, and it's not right. You ought to be stricter with him. He's very naughty." She laughed her hard, bright laugh and patted her hair in a mirror. Strange! When she was a little girl she had such a soft, hesitating voice; she had even stuttered, and now, whatever she said - even if it was only "Jam, please, father" - it rang out as though she were on the stage.
"Did Harold leave the office before you, dear?" asked Charlotte, beginning to rock again.
"I'm not sure," said Old Mr. Neave. "I'm not sure. I didn't see him after four o'clock."
"He said--" began Charlotte.
But at that moment Ethel, who was twitching over the leaves of some paper or other, ran to her mother and sank down beside her chair.
"There, you see," she cried. "That's what I mean, mummy. Yellow, with touches of silver. Don't you agree?"
"Give it to me, love," said Charlotte. She fumbled for her tortoise-shell spectacles and put them on, gave the page a little dab with her plump small fingers, and pursed up her lips. "Very sweet!" she crooned vaguely; she looked at Ethel over her spectacles. "But I shouldn't have the train."
"Not the train!" wailed Ethel tragically. "But the train's the whole point."
"Here, mother, let me decide." Marion snatched the paper playfully from Charlotte. "I agree with mother," she cried triumphantly. "The train overweights it."
Old Mr. Neave, forgotten, sank into the broad lap of his chair, and, dozing, heard them as though he dreamed. There was no doubt about it, he was tired out; he had lost his hold. Even Charlotte and the girls were too much for him to-night. They were too ... too ... But all his drowsing brain could think of was - too rich for him. And somewhere at the back of everything he was watching a little withered ancient man climbing up endless flights of stairs. Who was he?
"I shan't dress to-night," he muttered.
"What do you say, father?"
"Eh, what, what?" Old Mr. Neave woke with a start and stared across at them. "I shan't dress to-night," he repeated.
"But, father, we've got Lucile coming, and Henry Davenport, and Mrs. Teddie Walker."
"It will look so very out of the picture."
"Don't you feel well, dear?"
"You needn't make any effort. What is Charles for?"
"But if you're really not up to it," Charlotte wavered."Very well! Very well!" Old Mr. Neave got up and went to join that little old climbing fellow just as far as his dressing-room ...
There young Charles was waiting for him. Carefully, as though everything depended on it, he was tucking a towel round the hot-water can. Young Charles had been a favourite of his ever since as a little red-faced boy he had come into the house to look after the fires. Old Mr. Neave lowered himself into the cane lounge by the window, stretched out his legs, and made his little evening joke, "Dress him up, Charles!" And Charles, breathing intensely and frowning, bent forward to take the pin out of his tie.
H'm, h'm! Well, well! It was pleasant by the open window, very pleasant - a fine mild evening. They were cutting the grass on the tennis court below; he heard the soft churr of the mower. Soon the girls would begin their tennis parties again. And at the thought he seemed to hear Marion's voice ring out, "Good for you, partner ... Oh, played, partner ... Oh, very nice indeed." Then Charlotte calling from the veranda, "Where is Harold?" And Ethel, "He's certainly not here, mother." And Charlotte's vague, "He said--"
Old Mr. Neave sighed, got up, and putting one hand under his beard, he took the comb from young Charles, and carefully combed the white beard over. Charles gave him a folded handkerchief, his watch and seals, and spectacle case.
"That will do, my lad." The door shut, he sank back, he was alone ...
And now that little ancient fellow was climbing down endless flights that led to a glittering, gay dining-room. What legs he had! They were like a spider's - thin, withered.
"You're an ideal family, sir, an ideal family."
But if that were true, why didn't Charlotte or the girls stop him? Why was he all alone, climbing up and down? Where was Harold? Ah, it was no good expecting anything from Harold. Down, down went the little old spider, and then, to his horror, old Mr. Neave saw him slip past the dining-room and make for the porch, the dark drive, the carriage gates, the office. Stop him, stop him, somebody!
Old Mr. Neave started up. It was dark in his dressing-room; the window shone pale. How long had he been asleep? He listened, and through the big, airy, darkened house there floated far-away voices, far-away sounds. Perhaps, he thought vaguely, he had been asleep for a long time. He'd been forgotten. What had all this to do with him - this house and Charlotte, the girls and Harold - what did he know about them? They were strangers to him. Life had passed him by. Charlotte was not his wife. His wife!
... A dark porch, half hidden by a passion-vine, that drooped sorrowful, mournful, as though it understood. Small, warm arms were round his neck. A face, little and pale, lifted to his, and a voice breathed, "Good-bye, my treasure."
My treasure! "Good-bye, my treasure!" Which of them had spoken? Why had they said good-bye? There had been some terrible mistake. She was his wife, that little pale girl, and all the rest of his life had been a dream.
Then the door opened, and young Charles, standing in the light, put his hands by his side and shouted like a young soldier, "Dinner is on the table, sir!"
"I'm coming, I'm coming," said old Mr. Neave.

Mr and Mrs Dove
Of course he knew - no man better - that he hadn't a ghost of a chance, he hadn't an earthly. The very idea of such a thing was preposterous. So preposterous that he'd perfectly understand it if her father - well, whatever her father chose to do he'd perfectly understand. In fact, nothing short of desperation, nothing short of the fact that this was positively his last day in England for God knows how long, would have screwed him up to it. And even now ... He chose a tie out of the chest of drawers, a blue and cream check tie, and sat on the side of his bed. Supposing she replied, "What impertinence!" would he be surprised? Not in the least, he decided, turning up his soft collar and turning it down over the tie. He expected her to say something like that. He didn't see, if he looked at the affair dead soberly, what else she could say.
Here he was! And nervously he tied a bow in front of the mirror, jammed his hair down with both hands, pulled out the flaps of his jacket pockets. Making between 500 and 600 pounds a year on a fruit farm in - of all places - Rhodesia. No capital. Not a penny coming to him. No chance of his income increasing for at least four years. As for looks and all that sort of thing, he was completely out of the running. He couldn't even boast of top-hole health, for the East Africa business had knocked him out so thoroughly that he'd had to take six months' leave. He was still fearfully pale - worse even than usual this afternoon, he thought, bending forward and peering into the mirror. Good heavens! What had happened? His hair looked almost bright green. Dash it all, he hadn't green hair at all events. That was a bit too steep. And then the green light trembled in the glass; it was the shadow from the tree outside. Reggie turned away, took out his cigarette case, but remembering how the mater hated him to smoke in his bedroom, put it back again and drifted over to the chest of drawers. No, he was dashed if he could think of one blessed thing in his favour, while she ... Ah! ... He stopped dead, folded his arms, and leaned hard against the chest of drawers.
And in spite of her position, her father's wealth, the fact that she was an only child and far and away the most popular girl in the neighbourhood; in spite of her beauty and her cleverness - cleverness! - it was a great deal more than that, there was really nothing she couldn't do; he fully believed, had it been necessary, she would have been a genius at anything - in spite of the fact that her parents adored her, and she them, and they'd as soon let her go all that way as ... In spite of every single thing you could think of, so terrific was his love that he couldn't help hoping. Well, was it hope? Or was this queer, timid longing to have the chance of looking after her, of making it his job to see that she had everything she wanted, and that nothing came near her that wasn't perfect - just love? How he loved her! He squeezed hard against the chest of drawers and murmured to it, "I love her, I love her!" And just for the moment he was with her on the way to Umtali. It was night. She sat in a corner asleep. Her soft chin was tucked into her soft collar, her gold-brown lashes lay on her cheeks. He doted on her delicate little nose, her perfect lips, her ear like a baby's, and the gold-brown curl that half covered it. They were passing through the jungle. It was warm and dark and far away. Then she woke up and said, "Have I been asleep?" and he answered, "Yes. Are you all right? Here, let me--" And he leaned forward to ... He bent over her. This was such bliss that he could dream no further. But it gave him the courage to bound downstairs, to snatch his straw hat from the hall, and to say as he closed the front door, "Well, I can only try my luck, that's all."
But his luck gave him a nasty jar, to say the least, almost immediately. Promenading up and down the garden path with Chinny and Biddy, the ancient Pekes, was the mater. Of course Reginald was fond of the mater and all that. She - she meant well, she had no end of grit, and so on. But there was no denying it, she was rather a grim parent. And there had been moments, many of them, in Reggie's life, before Uncle Alick died and left him the fruit farm, when he was convinced that to be a widow's only son was about the worst punishment a chap could have. And what made it rougher than ever was that she was positively all that he had. She wasn't only a combined parent, as it were, but she had quarrelled with all her own and the governor's relations before Reggie had won his first trouser pockets. So that whenever Reggie was homesick out there, sitting on his dark veranda by starlight, while the gramophone cried, "Dear, what is Life but Love?" his only vision was of the mater, tall and stout, rustling down the garden path, with Chinny and Biddy at her heels ...
The mater, with her scissors outspread to snap the head of a dead something or other, stopped at the sight of Reggie.
"You are not going out, Reginald?" she asked, seeing that he was.
"I'll be back for tea, mater," said Reggie weakly, plunging his hands into his jacket pockets.
Snip. Off came a head. Reggie almost jumped.
"I should have thought you could have spared your mother your last afternoon," said she.
Silence. The Pekes stared. They understood every word of the mater's. Biddy lay down with her tongue poked out; she was so fat and glossy she looked like a lump of half-melted toffee. But Chinny's porcelain eyes gloomed at Reginald, and he sniffed faintly, as though the whole world were one unpleasant smell. Snip, went the scissors again. Poor little beggars; they were getting it!
"And where are you going, if your mother may ask?" asked the mater.
It was over at last, but Reggie did not slow down until he was out of sight of the house and half-way to Colonel Proctor's. Then only he noticed what a top-hole afternoon it was. It had been raining all the morning, late summer rain, warm, heavy, quick, and now the sky was clear, except for a long tail of little clouds, like duckings, sailing over the forest. There was just enough wind to shake the last drops off the trees; one warm star splashed on his hand. Ping! - another drummed on his hat. The empty road gleamed, the hedges smelled of briar, and how big and bright the hollyhocks glowed in the cottage gardens. And here was Colonel Proctor's - here it was already. His hand was on the gate, his elbow jogged the syringa bushes, and petals and pollen scattered over his coat sleeve. But wait a bit. This was too quick altogether. He'd meant to think the whole thing out again. Here, steady. But he was walking up the path, with the huge rose bushes on either side. It can't be done like this. But his hand had grasped the bell, given it a pull, and started it pealing wildly, as if he'd come to say the house was on fire. The housemaid must have been in the hall, too, for the front door flashed open, and Reggie was shut in the empty drawing-room before that confounded bell had stopped ringing. Strangely enough, when it did, the big room, shadowy, with some one's parasol lying on top of the grand piano, bucked him up - or rather, excited him. It was so quiet, and yet in one moment the door would open, and his fate be decided. The feeling was not unlike that of being at the dentist's; he was almost reckless. But at the same time, to his immense surprise, Reggie heard himself saying, "Lord, Thou knowest, Thou hast not done much for me ... " That pulled him up; that made him realize again how dead serious it was. Too late. The door handle turned. Anne came in, crossed the shadowy space between them, gave him her hand, and said, in her small, soft voice, "I'm so sorry, father is out. And mother is having a day in town, hat-hunting. There's only me to entertain you, Reggie."
Reggie gasped, pressed his own hat to his jacket buttons, and stammered out, "As a matter of fact, I've only come ... to say good-bye."
"Oh!" cried Anne softly - she stepped back from him and her grey eyes danced - "what a very short visit!"
Then, watching him, her chin tilted, she laughed outright, a long, soft peal, and walked away from him over to the piano, and leaned against it, playing with the tassel of the parasol.
"I'm so sorry," she said, "to be laughing like this. I don't know why I do. It's just a bad ha - habit." And suddenly she stamped her grey shoe, and took a pocket-handkerchief out of her white woolly jacket. "I really must conquer it, it's too absurd," said she.
"Good heavens, Anne," cried Reggie, "I love to hear you laughing! I can't imagine anything more--"
But the truth was, and they both knew it, she wasn't always laughing; it wasn't really a habit. Only ever since the day they'd met, ever since that very first moment, for some strange reason that Reggie wished to God he understood, Anne had laughed at him. Why? It didn't matter where they were or what they were talking about. They might begin by being as serious as possible, dead serious - at any rate, as far as he was concerned - but then suddenly, in the middle of a sentence, Anne would glance at him, and a little quick quiver passed over her face. Her lips parted, her eyes danced, and she began laughing.
Another queer thing about it was, Reggie had an idea she didn't herself know why she laughed. He had seen her turn away, frown, suck in her cheeks, press her hands together. But it was no use. The long, soft peal sounded, even while she cried, "I don't know why I'm laughing." It was a mystery ...
Now she tucked the handkerchief away.
"Do sit down," said she. "And smoke, won't you? There are cigarettes in that little box beside you. I'll have one too." He lighted a match for her, and as she bent forward he saw the tiny flame glow in the pearl ring she wore. "It is to-morrow that you're going, isn't it?" said Anne.
"Yes, to-morrow as ever was," said Reggie, and he blew a little fan of smoke. Why on earth was he so nervous? Nervous wasn't the word for it.
"It's - it's frightfully hard to believe," he added.
"Yes - isn't it?" said Anne softly, and she leaned forward and rolled the point of her cigarette round the green ash-tray. How beautiful she looked like that! - simply beautiful - and she was so small in that immense chair. Reginald's heart swelled with tenderness, but it was her voice, her soft voice, that made him tremble. "I feel you've been here for years," she said.
Reginald took a deep breath of his cigarette. "It's ghastly, this idea of going back," be said.
"Coo-roo-coo-coo-coo," sounded from the quiet.
"But you're fond of being out there, aren't you?" said Anne. She hooked her finger through her pearl necklace. "Father was saying only the other night how lucky he thought you were to have a life of your own." And she looked up at him. Reginald's smile was rather wan. "I don't feel fearfully lucky," he said lightly.
"Roo-coo-coo-coo," came again. And Anne murmured, "You mean it's lonely."
"Oh, it isn't the loneliness I care about," said Reginald, and he stumped his cigarette savagely on the green ash-tray. "I could stand any amount of it, used to like it even. It's the idea of--" Suddenly, to his horror, he felt himself blushing.
"Roo-coo-coo-coo! Roo-coo-coo-coo!"
Anne jumped up. "Come and say good-bye to my doves," she said. "They've been moved to the side veranda. You do like doves, don't you, Reggie?"
"Awfully," said Reggie, so fervently that as he opened the French window for her and stood to one side, Anne ran forward and laughed at the doves instead.
To and fro, to and fro over the fine red sand on the floor of the dove house, walked the two doves. One was always in front of the other. One ran forward, uttering a little cry, and the other followed, solemnly bowing and bowing. "You see," explained Anne, "the one in front, she's Mrs. Dove. She looks at Mr. Dove and gives that little laugh and runs forward, and he follows her, bowing and bowing. And that makes her laugh again. Away she runs, and after her," cried Anne, and she sat back on her heels, "comes poor Mr. Dove, bowing and bowing ... and that's their whole life. They never do anything else, you know." She got up and took some yellow grains out of a bag on the roof of the dove house. "When you think of them, out in Rhodesia, Reggie, you can be sure that is what they will be doing ... "
Reggie gave no sign of having seen the doves or of having heard a word. For the moment he was conscious only of the immense effort it took to tear his secret out of himself and offer it to Anne. "Anne, do you think you could ever care for me?" It was done. It was over. And in the little pause that followed Reginald saw the garden open to the light, the blue quivering sky, the flutter of leaves on the veranda poles, and Anne turning over the grains of maize on her palm with one finger. Then slowly she shut her hand, and the new world faded as she murmured slowly, "No, never in that way." But he had scarcely time to feel anything before she walked quickly away, and he followed her down the steps, along the garden path, under the pink rose arches, across the lawn. There, with the gay herbaceous border behind her, Anne faced Reginald. "It isn't that I'm not awfully fond of you," she said. "I am. But" - her eyes widened - "not in the way" - a quiver passed over her face - "one ought to be fond of--" Her lips parted, and she couldn't stop herself. She began laughing. "There, you see, you see," she cried, "it's your check t-tie. Even at this moment, when one would think one really would be solemn, your tie reminds me fearfully of the bow-tie that cats wear in pictures! Oh, please forgive me for being so horrid, please!"
Reggie caught hold of her little warm hand. "There's no question of forgiving you," he said quickly. "How could there be? And I do believe I know why I make you laugh. It's because you're so far above me in every way that I am somehow ridiculous. I see that, Anne. But if I were to--"
"No, no." Anne squeezed his hand hard. "It's not that. That's all wrong. I'm not far above you at all. You're much better than I am. You're marvellously unselfish and ... and kind and simple. I'm none of those things. You don't know me. I'm the most awful character," said Anne. "Please don't interrupt. And besides, that's not the point. The point is" - she shook her head - "I couldn't possibly marry a man I laughed at. Surely you see that. The man I marry--" breathed Anne softly. She broke off. She drew her hand away, and looking at Reggie she smiled strangely, dreamily. "The man I marry--"
And it seemed to Reggie that a tall, handsome, brilliant stranger stepped in front of him and took his place - the kind of man that Anne and he had seen often at the theatre, walking on to the stage from nowhere, without a word catching the heroine in his arms, and after one long, tremendous look, carrying her off to anywhere ...
Reggie bowed to his vision. "Yes, I see," he said huskily.
"Do you?" said Anne. "Oh, I do hope you do. Because I feel so horrid about it. It's so hard to explain. You know I've never--" She stopped. Reggie looked at her. She was smiling. "Isn't it funny?" she said. "I can say anything to you. I always have been able to from the very beginning."
He tried to smile, to say "I'm glad." She went on. "I've never known any one I like as much as I like you. I've never felt so happy with any one. But I'm sure it's not what people and what books mean when they talk about love. Do you understand? Oh, if you only knew how horrid I feel. But we'd be like ... like Mr. and Mrs. Dove."
That did it. That seemed to Reginald final, and so terribly true that he could hardly bear it. "Don't drive it home," he said, and he turned away from Anne and looked across the lawn. There was the gardener's cottage, with the dark ilex-tree beside it. A wet, blue thumb of transparent smoke hung above the chimney. It didn't look real. How his throat ached! Could he speak? He had a shot. "I must be getting along home," he croaked, and he began walking across the lawn. But Anne ran after him. "No, don't. You can't go yet," she said imploringly. "You can't possibly go away feeling like that." And she stared up at him frowning, biting her lip.
"Oh, that's all right," said Reggie, giving himself a shake. "I'll ... I'll--" And he waved his hand as much to say "get over it."
"But this is awful," said Anne. She clasped her hands and stood in front of him. "Surely you do see how fatal it would be for us to marry, don't you?"
"Oh, quite, quite," said Reggie, looking at her with haggard eyes.
"How wrong, how wicked, feeling as I do. I mean, it's all very well for Mr. and Mrs. Dove. But imagine that in real life - imagine it!"
"Oh, absolutely," said Reggie, and he started to walk on. But again Anne stopped him. She tugged at his sleeve, and to his astonishment, this time, instead of laughing, she looked like a little girl who was going to cry.
"Then why, if you understand, are you so un-unhappy?" she wailed. "Why do you mind so fearfully? Why do you look so aw-awful?"
Reggie gulped, and again he waved something away. "I can't help it," he said, "I've had a blow. If I cut off now, I'll be able to--"
"How can you talk of cutting off now?" said Anne scornfully. She stamped her foot at Reggie; she was crimson. "How can you be so cruel? I can't let you go until I know for certain that you are just as happy as you were before you asked me to marry you. Surely you must see that, it's so simple."
But it did not seem at all simple to Reginald. It seemed impossibly difficult.
"Even if I can't marry you, how can I know that you're all that way away, with only that awful mother to write to, and that you're miserable, and that it's all my fault?"
"It's not your fault. Don't think that. It's just fate." Reggie took her hand off his sleeve and kissed it. "Don't pity me, dear little Anne," he said gently. And this time he nearly ran, under the pink arches, along the garden path.
"Roo-coo-coo-coo! Roo-coo-coo-coo!" sounded from the veranda. "Reggie, Reggie," from the garden.
He stopped, he turned. But when she saw his timid, puzzled look, she gave a little laugh.
"Come back, Mr. Dove," said Anne. And Reginald came slowly across the lawn.

четверг, 25 февраля 2010 г.

TERM 2
Extra Reading
1) Ch.Dickens Oliver Twist
2) J.London White Fang
3) E.Bronte Wuthering Heights

воскресенье, 1 ноября 2009 г.

CLASS 5









  

Thomas Hardy
(1840-1928)

The Three Strangers
Among the few features of agricultural England which retain an appearance but little modified by the lapse of centuries, may be reckoned the high, grassy and furzy downs, coombs, or ewe-leases, as they are indifferently called, that fill a large area of certain counties in the south and south-west. If any mark of human occupation is met with hereon, it usually takes the form of the solitary cottage of some shepherd.
Fifty years ago such a lonely cottage stood on such a down, and may possibly be standing there now. In spite of its loneliness, however, the spot, by actual measurement, was not more than five miles from a county-town. Yet that affected it little. Five miles of irregular upland, during the long inimical seasons, with their sleets, snows, rains, and mists, afford withdrawing space enough to isolate a Timon or a Nebuchadnezzar; much less, in fair weather, to please that less repellent tribe, the poets, philosophers, artists, and others who 'conceive and meditate of pleasant things.'
Some old earthen camp or barrow, some clump of trees, at least some starved fragment of ancient hedge is usually taken advantage of in the erection of these forlorn dwellings. But, in the present case, such a kind of shelter had been disregarded. Higher Crowstairs, as the house was called, stood quite detached and undefended. The only reason for its precise situation seemed to be the crossing of two footpaths at right angles hard by, which may have crossed there and thus for a good five hundred years. Hence the house was exposed to the elements on all sides. But, though the wind up here blew unmistakably when it did blow, and the rain hit hard whenever it fell, the various weathers of the winter season were not quite so formidable on the coomb as they were imagined to be by dwellers on low ground. The raw rimes were not so pernicious as in the hollows, and the frosts were scarcely so severe. When the shepherd and his family who tenanted the house were pitied for their sufferings from the exposure, they said that upon the whole they were less inconvenienced by 'wuzzes and flames' (hoarses and phlegms) than when they had lived by the stream of a snug neighbouring valley.
The night of March 28, 182-, was precisely one of the nights that were wont to call forth these expressions of commiseration. The level rainstorm smote walls, slopes, and hedges like the clothyard shafts of Senlac and Crecy. Such sheep and outdoor animals as had no shelter stood with their buttocks to the winds; while the tails of little birds trying to roost on some scraggy thorn were blown inside-out like umbrellas. The gable-end of the cottage was stained with wet, and the eavesdroppings flapped against the wall. Yet never was commiseration for the shepherd more misplaced. For that cheerful rustic was entertaining a large party in glorification of the christening of his second girl.
The guests had arrived before the rain began to fall, and they were all now assembled in the chief or living room of the dwelling. A glance into the apartment at eight o'clock on this eventful evening would have resulted in the opinion that it was as cosy and comfortable a nook as could be wished for in boisterous weather. The calling of its inhabitant was proclaimed by a number of highly- polished sheep-crooks without stems that were hung ornamentally over the fireplace, the curl of each shining crook varying from the antiquated type engraved in the patriarchal pictures of old family Bibles to the most approved fashion of the last local sheep-fair. The room was lighted by half-a-dozen candles, having wicks only a trifle smaller than the grease which enveloped them, in candlesticks that were never used but at high-days, holy-days, and family feasts. The lights were scattered about the room, two of them standing on the chimney-piece. This position of candles was in itself significant. Candles on the chimney-piece always meant a party.
On the hearth, in front of a back-brand to give substance, blazed a fire of thorns, that crackled 'like the laughter of the fool.'
Nineteen persons were gathered here. Of these, five women, wearing gowns of various bright hues, sat in chairs along the wall; girls shy and not shy filled the window-bench; four men, including Charley Jake the hedge-carpenter, Elijah New the parish-clerk, and John Pitcher, a neighbouring dairyman, the shepherd's father-in-law, lolled in the settle; a young man and maid, who were blushing over tentative pourparlers on a life-companionship, sat beneath the corner-cupboard; and an elderly engaged man of fifty or upward moved restlessly about from spots where his betrothed was not to the spot where she was. Enjoyment was pretty general, and so much the more prevailed in being unhampered by conventional restrictions. Absolute confidence in each other's good opinion begat perfect ease, while the finishing stroke of manner, amounting to a truly princely serenity, was lent to the majority by the absence of any expression or trait denoting that they wished to get on in the world, enlarge their minds, or do any eclipsing thing whatever--which nowadays so generally nips the bloom and bonhomie of all except the two extremes of the social scale.
Shepherd Fennel had married well, his wife being a dairyman's daughter from a vale at a distance, who brought fifty guineas in her pocket--and kept them there, till they should be required for ministering to the needs of a coming family. This frugal woman had been somewhat exercised as to the character that should be given to the gathering. A sit-still party had its advantages; but an undisturbed position of ease in chairs and settles was apt to lead on the men to such an unconscionable deal of toping that they would sometimes fairly drink the house dry. A dancing-party was the alternative; but this, while avoiding the foregoing objection on the score of good drink, had a counterbalancing disadvantage in the matter of good victuals, the ravenous appetites engendered by the exercise causing immense havoc in the buttery. Shepherdess Fennel fell back upon the intermediate plan of mingling short dances with short periods of talk and singing, so as to hinder any ungovernable rage in either. But this scheme was entirely confined to her own gentle mind: the shepherd himself was in the mood to exhibit the most reckless phases of hospitality.
The fiddler was a boy of those parts, about twelve years of age, who had a wonderful dexterity in jigs and reels, though his fingers were so small and short as to necessitate a constant shifting for the high notes, from which he scrambled back to the first position with sounds not of unmixed purity of tone. At seven the shrill tweedle- dee of this youngster had begun, accompanied by a booming ground- bass from Elijah New, the parish-clerk, who had thoughtfully brought with him his favourite musical instrument, the serpent. Dancing was instantaneous, Mrs. Fennel privately enjoining the players on no account to let the dance exceed the length of a quarter of an hour.
But Elijah and the boy, in the excitement of their position, quite forgot the injunction. Moreover, Oliver Giles, a man of seventeen, one of the dancers, who was enamoured of his partner, a fair girl of thirty-three rolling years, had recklessly handed a new crown-piece to the musicians, as a bribe to keep going as long as they had muscle and wind. Mrs. Fennel, seeing the steam begin to generate on the countenances of her guests, crossed over and touched the fiddler's elbow and put her hand on the serpent's mouth. But they took no notice, and fearing she might lose her character of genial hostess if she were to interfere too markedly, she retired and sat down helpless. And so the dance whizzed on with cumulative fury, the performers moving in their planet-like courses, direct and retrograde, from apogee to perigee, till the hand of the well-kicked clock at the bottom of the room had travelled over the circumference of an hour.
While these cheerful events were in course of enactment within Fennel's pastoral dwelling, an incident having considerable bearing on the party had occurred in the gloomy night without. Mrs. Fennel's concern about the growing fierceness of the dance corresponded in point of time with the ascent of a human figure to the solitary hill of Higher Crowstairs from the direction of the distant town. This personage strode on through the rain without a pause, following the little-worn path which, further on in its course, skirted the shepherd's cottage.
It was nearly the time of full moon, and on this account, though the sky was lined with a uniform sheet of dripping cloud, ordinary objects out of doors were readily visible. The sad wan light revealed the lonely pedestrian to be a man of supple frame; his gait suggested that he had somewhat passed the period of perfect and instinctive agility, though not so far as to be otherwise than rapid of motion when occasion required. At a rough guess, he might have been about forty years of age. He appeared tall, but a recruiting sergeant, or other person accustomed to the judging of men's heights by the eye, would have discerned that this was chiefly owing to his gauntness, and that he was not more than five-feet-eight or nine.
Notwithstanding the regularity of his tread, there was caution in it, as in that of one who mentally feels his way; and despite the fact that it was not a black coat nor a dark garment of any sort that he wore, there was something about him which suggested that he naturally belonged to the black-coated tribes of men. His clothes were of fustian, and his boots hobnailed, yet in his progress he showed not the mud-accustomed bearing of hobnailed and fustianed peasantry.
By the time that he had arrived abreast of the shepherd's premises the rain came down, or rather came along, with yet more determined violence. The outskirts of the little settlement partially broke the force of wind and rain, and this induced him to stand still. The most salient of the shepherd's domestic erections was an empty sty at the forward corner of his hedgeless garden, for in these latitudes the principle of masking the homelier features of your establishment by a conventional frontage was unknown. The traveller's eye was attracted to this small building by the pallid shine of the wet slates that covered it. He turned aside, and, finding it empty, stood under the pent-roof for shelter.
While he stood, the boom of the serpent within the adjacent house, and the lesser strains of the fiddler, reached the spot as an accompaniment to the surging hiss of the flying rain on the sod, its louder beating on the cabbage-leaves of the garden, on the eight or ten beehives just discernible by the path, and its dripping from the eaves into a row of buckets and pans that had been placed under the walls of the cottage. For at Higher Crowstairs, as at all such elevated domiciles, the grand difficulty of housekeeping was an insufficiency of water; and a casual rainfall was utilized by turning out, as catchers, every utensil that the house contained. Some queer stories might be told of the contrivances for economy in suds and dish-waters that are absolutely necessitated in upland habitations during the droughts of summer. But at this season there were no such exigencies; a mere acceptance of what the skies bestowed was sufficient for an abundant store.
At last the notes of the serpent ceased and the house was silent. This cessation of activity aroused the solitary pedestrian from the reverie into which he had lapsed, and, emerging from the shed, with an apparently new intention, he walked up the path to the house- door. Arrived here, his first act was to kneel down on a large stone beside the row of vessels, and to drink a copious draught from one of them. Having quenched his thirst he rose and lifted his hand to knock, but paused with his eye upon the panel. Since the dark surface of the wood revealed absolutely nothing, it was evident that he must be mentally looking through the door, as if he wished to measure thereby all the possibilities that a house of this sort might include, and how they might bear upon the question of his entry.
In his indecision he turned and surveyed the scene around. Not a soul was anywhere visible. The garden-path stretched downward from his feet, gleaming like the track of a snail; the roof of the little well (mostly dry), the well-cover, the top rail of the garden-gate, were varnished with the same dull liquid glaze; while, far away in the vale, a faint whiteness of more than usual extent showed that the rivers were high in the meads. Beyond all this winked a few bleared lamplights through the beating drops--lights that denoted the situation of the county-town from which he had appeared to come. The absence of all notes of life in that direction seemed to clinch his intentions, and he knocked at the door.
Within, a desultory chat had taken the place of movement and musical sound. The hedge-carpenter was suggesting a song to the company, which nobody just then was inclined to undertake, so that the knock afforded a not unwelcome diversion.
'Walk in!' said the shepherd promptly.
The latch clicked upward, and out of the night our pedestrian appeared upon the door-mat. The shepherd arose, snuffed two of the nearest candles, and turned to look at him.
Their light disclosed that the stranger was dark in complexion and not unprepossessing as to feature. His hat, which for a moment he did not remove, hung low over his eyes, without concealing that they were large, open, and determined, moving with a flash rather than a glance round the room. He seemed pleased with his survey, and, baring his shaggy head, said, in a rich deep voice, 'The rain is so heavy, friends, that I ask leave to come in and rest awhile.'
'To be sure, stranger,' said the shepherd. 'And faith, you've been lucky in choosing your time, for we are having a bit of a fling for a glad cause--though, to be sure, a man could hardly wish that glad cause to happen more than once a year.'
'Nor less,' spoke up a woman. 'For 'tis best to get your family over and done with, as soon as you can, so as to be all the earlier out of the fag o't.'
'And what may be this glad cause?' asked the stranger.
'A birth and christening,' said the shepherd.
The stranger hoped his host might not be made unhappy either by too many or too few of such episodes, and being invited by a gesture to a pull at the mug, he readily acquiesced. His manner, which, before entering, had been so dubious, was now altogether that of a careless and candid man.
'Late to be traipsing athwart this coomb--hey?' said the engaged man of fifty.
'Late it is, master, as you say.--I'll take a seat in the chimney- corner, if you have nothing to urge against it, ma'am; for I am a little moist on the side that was next the rain.'
Mrs. Shepherd Fennel assented, and made room for the self-invited comer, who, having got completely inside the chimney-corner, stretched out his legs and his arms with the expansiveness of a person quite at home.
'Yes, I am rather cracked in the vamp,' he said freely, seeing that the eyes of the shepherd's wife fell upon his boots, 'and I am not well fitted either. I have had some rough times lately, and have been forced to pick up what I can get in the way of wearing, but I must find a suit better fit for working-days when I reach home.'
'One of hereabouts?' she inquired.
'Not quite that--further up the country.'
'I thought so. And so be I; and by your tongue you come from my neighbourhood.'
'But you would hardly have heard of me,' he said quickly. 'My time would be long before yours, ma'am, you see.'
This testimony to the youthfulness of his hostess had the effect of stopping her cross-examination.
'There is only one thing more wanted to make me happy,' continued the new-comer. 'And that is a little baccy, which I am sorry to say I am out of.'
'I'll fill your pipe,' said the shepherd.
'I must ask you to lend me a pipe likewise.'
'A smoker, and no pipe about 'ee?'
'I have dropped it somewhere on the road.'
The shepherd filled and handed him a new clay pipe, saying, as he did so, 'Hand me your baccy-box--I'll fill that too, now I am about it.'
The man went through the movement of searching his pockets.
'Lost that too?' said his entertainer, with some surprise.
'I am afraid so,' said the man with some confusion. 'Give it to me in a screw of paper.' Lighting his pipe at the candle with a suction that drew the whole flame into the bowl, he resettled himself in the corner and bent his looks upon the faint steam from his damp legs, as if he wished to say no more.
Meanwhile the general body of guests had been taking little notice of this visitor by reason of an absorbing discussion in which they were engaged with the band about a tune for the next dance. The matter being settled, they were about to stand up when an interruption came in the shape of another knock at the door.
At sound of the same the man in the chimney-corner took up the poker and began stirring the brands as if doing it thoroughly were the one aim of his existence; and a second time the shepherd said, 'Walk in!' In a moment another man stood upon the straw-woven door-mat. He too was a stranger.
This individual was one of a type radically different from the first. There was more of the commonplace in his manner, and a certain jovial cosmopolitanism sat upon his features. He was several years older than the first arrival, his hair being slightly frosted, his eyebrows bristly, and his whiskers cut back from his cheeks. His face was rather full and flabby, and yet it was not altogether a face without power. A few grog-blossoms marked the neighbourhood of his nose. He flung back his long drab greatcoat, revealing that beneath it he wore a suit of cinder-gray shade throughout, large heavy seals, of some metal or other that would take a polish, dangling from his fob as his only personal ornament. Shaking the water-drops from his low-crowned glazed hat, he said, 'I must ask for a few minutes' shelter, comrades, or I shall be wetted to my skin before I get to Casterbridge.'
'Make yourself at home, master,' said the shepherd, perhaps a trifle less heartily than on the first occasion. Not that Fennel had the least tinge of niggardliness in his composition; but the room was far from large, spare chairs were not numerous, and damp companions were not altogether desirable at close quarters for the women and girls in their bright-coloured gowns.
However, the second comer, after taking off his greatcoat, and hanging his hat on a nail in one of the ceiling-beams as if he had been specially invited to put it there, advanced and sat down at the table. This had been pushed so closely into the chimney-corner, to give all available room to the dancers, that its inner edge grazed the elbow of the man who had ensconced himself by the fire; and thus the two strangers were brought into close companionship. They nodded to each other by way of breaking the ice of unacquaintance, and the first stranger handed his neighbour the family mug--a huge vessel of brown ware, having its upper edge worn away like a threshold by the rub of whole generations of thirsty lips that had gone the way of all flesh, and bearing the following inscription burnt upon its rotund side in yellow letters:
The other man, nothing loth, raised the mug to his lips, and drank on, and on, and on--till a curious blueness overspread the countenance of the shepherd's wife, who had regarded with no little surprise the first stranger's free offer to the second of what did not belong to him to dispense.
'I knew it!' said the toper to the shepherd with much satisfaction. 'When I walked up your garden before coming in, and saw the hives all of a row, I said to myself; "Where there's bees there's honey, and where there's honey there's mead." But mead of such a truly comfortable sort as this I really didn't expect to meet in my older days.' He took yet another pull at the mug, till it assumed an ominous elevation.
'Glad you enjoy it!' said the shepherd warmly.
'It is goodish mead,' assented Mrs. Fennel, with an absence of enthusiasm which seemed to say that it was possible to buy praise for one's cellar at too heavy a price. 'It is trouble enough to make--and really I hardly think we shall make any more. For honey sells well, and we ourselves can make shift with a drop o' small mead and metheglin for common use from the comb-washings."
'O, but you'll never have the heart!' reproachfully cried the stranger in cinder-gray, after taking up the mug a third time and setting it down empty. 'I love mead, when 'tis old like this, as I love to go to church o' Sundays, or to relieve the needy any day of the week.'
'Ha, ha, ha!' said the man in the chimney-corner, who, in spite of the taciturnity induced by the pipe of tobacco, could not or would not refrain from this slight testimony to his comrade's humour.
Now the old mead of those days, brewed of the purest first-year or maiden honey, four pounds to the gallon--with its due complement of white of eggs, cinnamon, ginger, cloves, mace, rosemary, yeast, and processes of working, bottling, and cellaring--tasted remarkably strong; but it did not taste so strong as it actually was. Hence, presently, the stranger in cinder-gray at the table, moved by its creeping influence, unbuttoned his waistcoat, threw himself back in his chair, spread his legs, and made his presence felt in various ways.
'Well, well, as I say,' he resumed, 'I am going to Casterbridge, and to Casterbridge I must go. I should have been almost there by this time; but the rain drove me into your dwelling, and I'm not sorry for it.'
'You don't live in Casterbridge?' said the shepherd.
'Not as yet; though I shortly mean to move there.'
'Going to set up in trade, perhaps?'
'No, no,' said the shepherd's wife. 'It is easy to see that the gentleman is rich, and don't want to work at anything.'
The cinder-gray stranger paused, as if to consider whether he would accept that definition of himself. He presently rejected it by answering, 'Rich is not quite the word for me, dame. I do work, and I must work. And even if I only get to Casterbridge by midnight I must begin work there at eight to-morrow morning. Yes, het or wet, blow or snow, famine or sword, my day's work to-morrow must be done.'
'Poor man! Then, in spite o' seeming, you be worse off than we?' replied the shepherd's wife.
''Tis the nature of my trade, men and maidens. 'Tis the nature of my trade more than my poverty . . . But really and truly I must up and off, or I shan't get a lodging in the town.' However, the speaker did not move, and directly added, 'There's time for one more draught of friendship before I go; and I'd perform it at once if the mug were not dry.'
'Here's a mug o' small,' said Mrs. Fennel. 'Small, we call it, though to be sure 'tis only the first wash o' the combs.'
'No,' said the stranger disdainfully. 'I won't spoil your first kindness by partaking o' your second.'
'Certainly not,' broke in Fennel. 'We don't increase and multiply every day, and I'll fill the mug again.' He went away to the dark place under the stairs where the barrel stood. The shepherdess followed him.
'Why should you do this?' she said reproachfully, as soon as they were alone. 'He's emptied it once, though it held enough for ten people; and now he's not contented wi' the small, but must needs call for more o' the strong! And a stranger unbeknown to any of us. For my part, I don't like the look o' the man at all.'
'But he's in the house, my honey; and 'tis a wet night, and a christening. Daze it, what's a cup of mead more or less? There'll be plenty more next bee-burning.'
'Very well--this time, then,' she answered, looking wistfully at the barrel. 'But what is the man's calling, and where is he one of; that he should come in and join us like this?'
'I don't know. I'll ask him again.'
The catastrophe of having the mug drained dry at one pull by the stranger in cinder-gray was effectually guarded against this time by Mrs. Fennel. She poured out his allowance in a small cup, keeping the large one at a discreet distance from him. When he had tossed off his portion the shepherd renewed his inquiry about the stranger's occupation.
The latter did not immediately reply, and the man in the chimney- corner, with sudden demonstrativeness, said, 'Anybody may know my trade--I'm a wheelwright.'
'A very good trade for these parts,' said the shepherd.
'And anybody may know mine--if they've the sense to find it out,' said the stranger in cinder-gray.
'You may generally tell what a man is by his claws,' observed the hedge-carpenter, looking at his own hands. 'My fingers be as full of thorns as an old pin-cushion is of pins.'
The hands of the man in the chimney-corner instinctively sought the shade, and he gazed into the fire as he resumed his pipe. The man at the table took up the hedge-carpenter's remark, and added smartly, 'True; but the oddity of my trade is that, instead of setting a mark upon me, it sets a mark upon my customers.'
No observation being offered by anybody in elucidation of this enigma, the shepherd's wife once more called for a song. The same obstacles presented themselves as at the former time--one had no voice, another had forgotten the first verse. The stranger at the table, whose soul had now risen to a good working temperature, relieved the difficulty by exclaiming that, to start the company, he would sing himself. Thrusting one thumb into the arm-hole of his waistcoat, he waved the other hand in the air, and, with an extemporizing gaze at the shining sheep-crooks above the mantelpiece, began:
'O my trade it is the rarest one, Simple shepherds all - My trade is a sight to see; For my customers I tie, and take them up on high, And waft 'em to a far countree!'
The room was silent when he had finished the verse--with one exception, that of the man in the chimney-corner, who, at the singer's word, 'Chorus! 'joined him in a deep bass voice of musical relish –
'And waft 'em to a far countree!'
Oliver Giles, John Pitcher the dairyman, the parish-clerk, the engaged man of fifty, the row of young women against the wall, seemed lost in thought not of the gayest kind. The shepherd looked meditatively on the ground, the shepherdess gazed keenly at the singer, and with some suspicion; she was doubting whether this stranger were merely singing an old song from recollection, or was composing one there and then for the occasion. All were as perplexed at the obscure revelation as the guests at Belshazzar's Feast, except the man in the chimney-corner, who quietly said, 'Second verse, stranger,' and smoked on.
The singer thoroughly moistened himself from his lips inwards, and went on with the next stanza as requested:
'My tools are but common ones, Simple shepherds all - My tools are no sight to see: A little hempen string, and a post whereon to swing, Are implements enough for me!'
Shepherd Fennel glanced round. There was no longer any doubt that the stranger was answering his question rhythmically. The guests one and all started back with suppressed exclamations. The young woman engaged to the man of fifty fainted half-way, and would have proceeded, but finding him wanting in alacrity for catching her she sat down trembling.
'O, he's the--!' whispered the people in the background, mentioning the name of an ominous public officer. 'He's come to do it! 'Tis to be at Casterbridge jail to-morrow--the man for sheep-stealing-- the poor clock-maker we heard of; who used to live away at Shottsford and had no work to do--Timothy Summers, whose family were a-starving, and so he went out of Shottsford by the high-road, and took a sheep in open daylight, defying the farmer and the farmer's wife and the farmer's lad, and every man jack among 'em. He' (and they nodded towards the stranger of the deadly trade) 'is come from up the country to do it because there's not enough to do in his own county-town, and he's got the place here now our own county man's dead; he's going to live in the same cottage under the prison wall.'
The stranger in cinder-gray took no notice of this whispered string of observations, but again wetted his lips. Seeing that his friend in the chimney-corner was the only one who reciprocated his joviality in any way, he held out his cup towards that appreciative comrade, who also held out his own. They clinked together, the eyes of the rest of the room hanging upon the singer's actions. He parted his lips for the third verse; but at that moment another knock was audible upon the door. This time the knock was faint and hesitating.
The company seemed scared; the shepherd looked with consternation towards the entrance, and it was with some effort that he resisted his alarmed wife's deprecatory glance, and uttered for the third time the welcoming words, 'Walk in!'
The door was gently opened, and another man stood upon the mat. He, like those who had preceded him, was a stranger. This time it was a short, small personage, of fair complexion, and dressed in a decent suit of dark clothes.
'Can you tell me the way to--?' he began: when, gazing round the room to observe the nature of the company amongst whom he had fallen, his eyes lighted on the stranger in cinder-gray. It was just at the instant when the latter, who had thrown his mind into his song with such a will that he scarcely heeded the interruption, silenced all whispers and inquiries by bursting into his third verse:
'To-morrow is my working day, Simple shepherds all - To-morrow is a working day for me: For the farmer's sheep is slain, and the lad who did it ta'en, And on his soul may God ha' merc-y!'
The stranger in the chimney-corner, waving cups with the singer so heartily that his mead splashed over on the hearth, repeated in his bass voice as before:
'And on his soul may God ha' merc-y!'
All this time the third stranger had been standing in the doorway. Finding now that he did not come forward or go on speaking, the guests particularly regarded him. They noticed to their surprise that he stood before them the picture of abject terror - his knees trembling, his hand shaking so violently that the door-latch by which he supported himself rattled audibly: his white lips were parted, and his eyes fixed on the merry officer of justice in the middle of the room. A moment more and he had turned, closed the door, and fled.
'What a man can it be?' said the shepherd.
The rest, between the awfulness of their late discovery and the odd conduct of this third visitor, looked as if they knew not what to think, and said nothing. Instinctively they withdrew further and further from the grim gentleman in their midst, whom some of them seemed to take for the Prince of Darkness himself; till they formed a remote circle, an empty space of floor being left between them and him – circulus, cujus centrum diabolus.'
The room was so silent--though there were more than twenty people in it--that nothing could be heard but the patter of the rain against the window-shutters, accompanied by the occasional hiss of a stray drop that fell down the chimney into the fire, and the steady puffing of the man in the corner, who had now resumed his pipe of long clay.
The stillness was unexpectedly broken. The distant sound of a gun reverberated through the air--apparently from the direction of the county-town.
'Be jiggered!' cried the stranger who had sung the song, jumping up.
'What does that mean?' asked several.
'A prisoner escaped from the jail--that's what it means.'
All listened. The sound was repeated, and none of them spoke but the man in the chimney-corner, who said quietly, 'I've often been told that in this county they fire a gun at such times; but I never heard it till now.'
'I wonder if it is MY man?' murmured the personage in cinder-gray.
'Surely it is!' said the shepherd involuntarily. 'And surely we've zeed him! That little man who looked in at the door by now, and quivered like a leaf when he zeed ye and heard your song!'
'His teeth chattered, and the breath went out of his body,' said the dairyman.
'And his heart seemed to sink within him like a stone,' said Oliver Giles.
'And he bolted as if he'd been shot at,' said the hedge-carpenter.
'True--his teeth chattered, and his heart seemed to sink; and he bolted as if he'd been shot at,' slowly summed up the man in the chimney-corner.
'I didn't notice it,' remarked the hangman.
'We were all a-wondering what made him run off in such a fright,' faltered one of the women against the wall, 'and now 'tis explained!'
The firing of the alarm-gun went on at intervals, low and sullenly, and their suspicions became a certainty. The sinister gentleman in cinder-gray roused himself. 'Is there a constable here?' he asked, in thick tones. 'If so, let him step forward.'
The engaged man of fifty stepped quavering out from the wall, his betrothed beginning to sob on the back of the chair.
'You are a sworn constable?'
'I be, sir.'
'Then pursue the criminal at once, with assistance, and bring him back here. He can't have gone far.'
'I will, sir, I will--when I've got my staff. I'll go home and get it, and come sharp here, and start in a body.'
'Staff!--never mind your staff; the man'll be gone!'
'But I can't do nothing without my staff--can I, William, and John, and Charles Jake? No; for there's the king's royal crown a painted on en in yaller and gold, and the lion and the unicorn, so as when I raise en up and hit my prisoner, 'tis made a lawful blow thereby. I wouldn't 'tempt to take up a man without my staff--no, not I. If I hadn't the law to gie me courage, why, instead o' my taking up him he might take up me!'
'Now, I'm a king's man myself; and can give you authority enough for this,' said the formidable officer in gray. 'Now then, all of ye, be ready. Have ye any lanterns?'
'Yes--have ye any lanterns?--I demand it!' said the constable.
'And the rest of you able-bodied--'
'Able-bodied men--yes--the rest of ye!' said the constable.
'Have you some good stout staves and pitch-forks--'
'Staves and pitchforks--in the name o' the law! And take 'em in yer hands and go in quest, and do as we in authority tell ye!'
Thus aroused, the men prepared to give chase. The evidence was, indeed, though circumstantial, so convincing, that but little argument was needed to show the shepherd's guests that after what they had seen it would look very much like connivance if they did not instantly pursue the unhappy third stranger, who could not as yet have gone more than a few hundred yards over such uneven country.
A shepherd is always well provided with lanterns; and, lighting these hastily, and with hurdle-staves in their hands, they poured out of the door, taking a direction along the crest of the hill, away from the town, the rain having fortunately a little abated.
Disturbed by the noise, or possibly by unpleasant dreams of her baptism, the child who had been christened began to cry heart- brokenly in the room overhead. These notes of grief came down through the chinks of the floor to the ears of the women below, who jumped up one by one, and seemed glad of the excuse to ascend and comfort the baby, for the incidents of the last half-hour greatly oppressed them. Thus in the space of two or three minutes the room on the ground-floor was deserted quite.
But it was not for long. Hardly had the sound of footsteps died away when a man returned round the corner of the house from the direction the pursuers had taken. Peeping in at the door, and seeing nobody there, he entered leisurely. It was the stranger of the chimney-corner, who had gone out with the rest. The motive of his return was shown by his helping himself to a cut piece of skimmer-cake that lay on a ledge beside where he had sat, and which he had apparently forgotten to take with him. He also poured out half a cup more mead from the quantity that remained, ravenously eating and drinking these as he stood. He had not finished when another figure came in just as quietly--his friend in cinder-gray.
'O--you here?' said the latter, smiling. 'I thought you had gone to help in the capture.' And this speaker also revealed the object of his return by looking solicitously round for the fascinating mug of old mead.
'And I thought you had gone,' said the other, continuing his skimmer-cake with some effort.
'Well, on second thoughts, I felt there were enough without me,' said the first confidentially, 'and such a night as it is, too. Besides, 'tis the business o' the Government to take care of its criminals--not mine.'
'True; so it is. And I felt as you did, that there were enough without me.'
'I don't want to break my limbs running over the humps and hollows of this wild country.'
'Nor I neither, between you and me.'
'These shepherd-people are used to it--simple-minded souls, you know, stirred up to anything in a moment. They'll have him ready for me before the morning, and no trouble to me at all.'
'They'll have him, and we shall have saved ourselves all labour in the matter.'
'True, true. Well, my way is to Casterbridge; and 'tis as much as my legs will do to take me that far. Going the same way?'
'No, I am sorry to say! I have to get home over there' (he nodded indefinitely to the right), 'and I feel as you do, that it is quite enough for my legs to do before bedtime.'
The other had by this time finished the mead in the mug, after which, shaking hands heartily at the door, and wishing each other well, they went their several ways.
In the meantime the company of pursuers had reached the end of the hog's-back elevation which dominated this part of the down. They had decided on no particular plan of action; and, finding that the man of the baleful trade was no longer in their company, they seemed quite unable to form any such plan now. They descended in all directions down the hill, and straightway several of the party fell into the snare set by Nature for all misguided midnight ramblers over this part of the cretaceous formation. The 'lanchets,' or flint slopes, which belted the escarpment at intervals of a dozen yards, took the less cautious ones unawares, and losing their footing on the rubbly steep they slid sharply downwards, the lanterns rolling from their hands to the bottom, and there lying on their sides till the horn was scorched through.
When they had again gathered themselves together, the shepherd, as the man who knew the country best, took the lead, and guided them round these treacherous inclines. The lanterns, which seemed rather to dazzle their eyes and warn the fugitive than to assist them in the exploration, were extinguished, due silence was observed; and in this more rational order they plunged into the vale. It was a grassy, briery, moist defile, affording some shelter to any person who had sought it; but the party perambulated it in vain, and ascended on the other side. Here they wandered apart, and after an interval closed together again to report progress.
At the second time of closing in they found themselves near a lonely ash, the single tree on this part of the coomb, probably sown there by a passing bird some fifty years before. And here, standing a little to one side of the trunk, as motionless as the trunk itself; appeared the man they were in quest of; his outline being well defined against the sky beyond. The band noiselessly drew up and faced him.
'Your money or your life!' said the constable sternly to the still figure.
'No, no,' whispered John Pitcher. ''Tisn't our side ought to say that. That's the doctrine of vagabonds like him, and we be on the side of the law.'
'Well, well,' replied the constable impatiently; 'I must say something, mustn't I? and if you had all the weight o' this undertaking upon your mind, perhaps you'd say the wrong thing too!-- Prisoner at the bar, surrender, in the name of the Father--the Crown, I mane!'
The man under the tree seemed now to notice them for the first time, and, giving them no opportunity whatever for exhibiting their courage, he strolled slowly towards them. He was, indeed, the little man, the third stranger; but his trepidation had in a great measure gone.
'Well, travellers,' he said, 'did I hear ye speak to me?'
'You did: you've got to come and be our prisoner at once!' said the constable. 'We arrest 'ee on the charge of not biding in Casterbridge jail in a decent proper manner to be hung to-morrow morning. Neighbours, do your duty, and seize the culpet!'
On hearing the charge, the man seemed enlightened, and, saying not another word, resigned himself with preternatural civility to the search-party, who, with their staves in their hands, surrounded him on all sides, and marched him back towards the shepherd's cottage.
It was eleven o'clock by the time they arrived. The light shining from the open door, a sound of men's voices within, proclaimed to them as they approached the house that some new events had arisen in their absence. On entering they discovered the shepherd's living room to be invaded by two officers from Casterbridge jail, and a well-known magistrate who lived at the nearest country-seat, intelligence of the escape having become generally circulated.
'Gentlemen,' said the constable, 'I have brought back your man--not without risk and danger; but every one must do his duty! He is inside this circle of able-bodied persons, who have lent me useful aid, considering their ignorance of Crown work. Men, bring forward your prisoner!' And the third stranger was led to the light.
'Who is this?' said one of the officials.
'The man,' said the constable.
'Certainly not,' said the turnkey; and the first corroborated his statement.
'But how can it be otherwise?' asked the constable. 'Or why was he so terrified at sight o' the singing instrument of the law who sat there?' Here he related the strange behaviour of the third stranger on entering the house during the hangman's song.
'Can't understand it,' said the officer coolly. 'All I know is that it is not the condemned man. He's quite a different character from this one; a gauntish fellow, with dark hair and eyes, rather good- looking, and with a musical bass voice that if you heard it once you'd never mistake as long as you lived.'
'Why, souls--'twas the man in the chimney-corner!'
'Hey--what?' said the magistrate, coming forward after inquiring particulars from the shepherd in the background. 'Haven't you got the man after all?'
'Well, sir,' said the constable, 'he's the man we were in search of, that's true; and yet he's not the man we were in search of. For the man we were in search of was not the man we wanted, sir, if you understand my every-day way; for 'twas the man in the chimney- corner!'
'A pretty kettle of fish altogether!' said the magistrate. 'You had better start for the other man at once.'
The prisoner now spoke for the first time. The mention of the man in the chimney-corner seemed to have moved him as nothing else could do. 'Sir,' he said, stepping forward to the magistrate, 'take no more trouble about me. The time is come when I may as well speak. I have done nothing; my crime is that the condemned man is my brother. Early this afternoon I left home at Shottsford to tramp it all the way to Casterbridge jail to bid him farewell. I was benighted, and called here to rest and ask the way. When I opened the door I saw before me the very man, my brother, that I thought to see in the condemned cell at Casterbridge. He was in this chimney- corner; and jammed close to him, so that he could not have got out if he had tried, was the executioner who'd come to take his life, singing a song about it and not knowing that it was his victim who was close by, joining in to save appearances. My brother looked a glance of agony at me, and I knew he meant, "Don't reveal what you see; my life depends on it." I was so terror-struck that I could hardly stand, and, not knowing what I did, I turned and hurried away.'
The narrator's manner and tone had the stamp of truth, and his story made a great impression on all around. 'And do you know where your brother is at the present time?' asked the magistrate.
'I do not. I have never seen him since I closed this door.'
'I can testify to that, for we've been between ye ever since,' said the constable.
'Where does he think to fly to?--what is his occupation?'
'He's a watch-and-clock-maker, sir.'
''A said 'a was a wheelwright--a wicked rogue,' said the constable.
'The wheels of clocks and watches he meant, no doubt,' said Shepherd Fennel. 'I thought his hands were palish for's trade.'
'Well, it appears to me that nothing can be gained by retaining this poor man in custody,' said the magistrate; 'your business lies with the other, unquestionably.'
And so the little man was released off-hand; but he looked nothing the less sad on that account, it being beyond the power of magistrate or constable to raze out the written troubles in his brain, for they concerned another whom he regarded with more solicitude than himself. When this was done, and the man had gone his way, the night was found to be so far advanced that it was deemed useless to renew the search before the next morning.
Next day, accordingly, the quest for the clever sheep-stealer became general and keen, to all appearance at least. But the intended punishment was cruelly disproportioned to the transgression, and the sympathy of a great many country-folk in that district was strongly on the side of the fugitive. Moreover, his marvellous coolness and daring in hob-and-nobbing with the hangman, under the unprecedented circumstances of the shepherd's party, won their admiration. So that it may be questioned if all those who ostensibly made themselves so busy in exploring woods and fields and lanes were quite so thorough when it came to the private examination of their own lofts and outhouses. Stories were afloat of a mysterious figure being occasionally seen in some old overgrown trackway or other, remote from turnpike roads; but when a search was instituted in any of these suspected quarters nobody was found. Thus the days and weeks passed without tidings.
In brief; the bass-voiced man of the chimney-corner was never recaptured. Some said that he went across the sea, others that he did not, but buried himself in the depths of a populous city. At any rate, the gentleman in cinder-gray never did his morning's work at Casterbridge, nor met anywhere at all, for business purposes, the genial comrade with whom he had passed an hour of relaxation in the lonely house on the coomb.
The grass has long been green on the graves of Shepherd Fennel and his frugal wife; the guests who made up the christening party have mainly followed their entertainers to the tomb; the baby in whose honour they all had met is a matron in the sere and yellow leaf. But the arrival of the three strangers at the shepherd's that night, and the details connected therewith, is a story as well known as ever in the country about Higher Crowstairs.